Torturing myself in Terraria

Someone end my suffering

I recently beat the entirety of Terraria the other day, which you think would mark me as something of an expert in the game mechanics. Afterall I started playing all the way in 2013; how could a guy with that sort of history with Terraria still be a scrub? Well, throw in about 6 years worth of truancy and by the time I got around to stabbing the Moon Lord in his weak points I was barely anything more than a bare basic rookie with the knowledge of a semi intelligent foetus. I could just about guide another player through the process of beating the game, but that doesn't make me a master of the game mechanics at all. Which is why it would be the utmost of folly, the height of moronic intuition, to decide that with the bare basic knowledge of how this game would be played, I would go on to then play the single most difficult challenge that this game has to offer. What kind of absolute moron would I have to be in order to come to that sort of conclusion? The type you see before you today, it would seem, because indeed I have done exactly that and it has been a tortuous experience.

If you don't know exactly what I mean by the most difficult challenge the game has to offer; allow me to elucidate. With the release of 1.4.4 of Terraria, the team have marked their move away from development of that game so they can move onto their next, presumably Terraria 2. (Yes, seems I unintentionally picked the perfect moment to finally wrap up my affair with this game.) But the developers didn't want to leave their old game behind without slapping a little something special on the box, and that's exactly what they ended up doing with their Special Seed. Now world Seeds are little codes you can punch into the world generation when making the map in order to tell the game to generate the land in a very specific way. Secret seeds are special seeds added by the developer which apply special rules that render the final generated world as functioning differently to a standard Terraria world.

Perhaps you would end up typing the 'For the Worthy' seed, which automatically scales up the world difficulty by one notch, (so if you choose 'normal', the world would be on 'expert' difficulty.) alongside throwing in a bunch of surprise traps and Boss tweaks to make the game more painful. Maybe you would enter in the Don't Starve crossover seed, which adds in a hunger system (a painful addition for a game that doesn't exactly have a robust food acquisition process) and a deathly entity in the dark that slays anyone who remains in there too long. Or perhaps you'd try the 'don't dig up' seed which flips the world totally on it's head so it starts in the underworld and progresses upwards towards a nearly inhospitable version of the overworld. Or maybe you'd try the brand new 'Everything Seed' which basically takes the most painful elements of all those seeds I just mentioned and a bunch more and slaps them altogether in a horrifying amalgam of torment. And maybe you'd also set the difficulty of that world to 'Master', which is unofficially known in the community as 'Legendary mode'. Maybe that's what I did to myself.

Why did I decide that I wanted to stick my neck into Terraria's Legendary difficulty? Because I'm an idiot, evidently. And maybe some degree of hubris in acknowledgement of some of the absolutely painfully idiotic things I've already endured to get as far as I did in normal Terraria. For example, once in an attempt to grind The Wall of Flesh so that I could make the Avenger Emblem (something I waited to do until pre-Moon Lord, greatly hurting my chances of spawning the requisite mob with his Voodoo doll summoning item) I got bored of averaging one boss fight every thirty minutes or so to get a 25% chance on an item. So I looked it up and ended up downloading a 'For the Worthy' seed world after learning that one of the world changes it did was switch all demon spawns to Voodoo demons. (Without studying any of the other changes.) So can you guess what happened? Allow me to lay out the scenario for you.

I dig all the way down into the underworld and then glide my way across the lava lands ripping through Underworld huts and stocking up on useful items. And then I explode. Hindsight tells me I must have broken a pot, which in 'For the Worthy' has a chance of dropping a bomb on your head; leading me to a predicament. You see, I had literally just spawned in that world and dug down without preparing anything. Meaning, I didn't set up a base, bring any back-up gear, or literally place anything down to make a recovery journey plausible. And I was playing in Mediumcore, so I had dropped all my items. Now I could have either given up and gone back to my world (which would have cost me dearly, but not impossibly) or spend the next 5 hours trying to get to my gear in the most hostile environment this pre-hardmode 'For the Worthy' world had to offer. That was five hours painfully spent dying a simply unreal amount of times and giving up hope countless times. But I got my items back, and I delighted in deleting that world the second afterwards. What pain could that Legendary seed throw at me that I hadn't already suffered?

Oh god; I never realised how painful Terraria is without cobblestone! You literally can't do anything without it- can't make armour, can't make furniture; and the 'Everything Seed' made getting it a herculean task. Every enemy can, at the very least, two shot you. Trees sometimes drop bombs when you try to harvest them. The ash ground you spawn on is affected by a brand new, and very temperamental, cave-in system so you can't dig under the enemies or you'll get squashed. Ghosts spawn on the underground layer for some inane reason, circumventing any walls and barriers you set up. The Wall of Flesh might suddenly summon itself randomly for some reason. (I have no idea what that was about.) I was unlucky enough to spawn under an ice biome, meaning that even if I dug all the way to the surface, I wouldn't get any cobble- forcing me to go spelunking far out from spawn. And I hate the food system.

I wouldn't call Terraria itself a painfully difficult game, in fact there are mods created specifically to try and make Terraria into that style of rage game with awfully balanced bosses and ridiculous upgrade paths that extend the game into twice it's natural length. But the 'Everything Seed' does a damn good job of providing that experience sans mods. Even a semi-literate Terraria player who knows all the ins and outs of the game would grind their teeth working through that pain-in-the-ass of a world, and I'm nowhere near that level; so what in the hell was I thinking? I was thinking it would be fun, and I was thinking that I deserve the anguish. And you know what? For starting this I absolutely do. I deserve all the pain I meet upon myself. Because those who play with fire must, for their own sake, be burnt.

Will I continue with the world? Maybe. Looking up some other playthroughs have reminded me that, idiot I am, there's no need for me to plant my base on the ashy death-lands if I don't want it there. So maybe I'll give it another shot, or maybe I'll nuke everything and start again with an easycore character because I not sure if I'm even having fun struggling through a game I barely even understand as I currently am. Then again I am a masochist; and will I even be able to appreciate the game if it isn't peeling back my eyelids so it can snuff out a lit cigarette bud in my pupils? I don't know. It wouldn't be the first horribly unfair challenge I ended up throwing the towel on. But that Xcom Iron man playthrough does haunt me every waking day... (Maybe going back to that would be a cop-out I can live with.) 

Terraria 1.4 Review

 Finishing what I started.

I remember first hearing about Terraria a long time ago through the same sort of grapevines through which Minecraft became known to me; which meant that for better or for worse I was going to forever equate the two games as shadows of one another. Hindsight obviously dispels that coincidence once we actually become familiar with each game; Minecraft is a game that revolves around empowering creativity first and providing gameplay content second whereas Terraria prides itself on gameplay improvements before coming around to pumping up building tools; but there's an obvious overlap in style and substance. (Even if one is 3d and technically infinite whilst the other is 2d and shaped around loot collection.) I remember once considering Terraria as a version of Minecraft that already comes pre-modded, which is a funny way of looking at it and a perspective I still think back on during some of the crazier moments of Terraria's endgame. (It certainly does feel as manic and unrestrained as you'd expect a modder to get.)

I first played Terraria back when it was ported to the consoles of the time, Xbox 360 and PS3; and that was a version of the game I considered to be largely friendly to the new comer. Whilst being feature-limited and supported at a much reduced rate to the PC version, the game had numerous quality of life improvements that made the early game more accessible to those who did not have the wiki open. Crafting trees specified craft-ables the moment you owned a single item in a recipe and displayed the missing materials you needed to collect to incentivise creativity; there was an entire in-built tutorial world that guided your hand all the way up to your first boss fight and the general world was a whole lot more hospitable towards the experimental gamers out there. In all the improvements that the modern Terraria has, I think some of that accessibility has become lost and could be a font of refocus before the team move onto their next project, whatever that ends up being.

 To the uninitiated; Terraria is a 2D survival crafting game (without food meters unless you play 2 secret map seeds) in which the focus of the game is gathering steadily improved equipment and weaponry to battle steadily more powerful monsters and bosses in a slow creep towards ultimate power. World generation is randomised but not infinitely expanding, biomes dictate the sort of wild enemies that will spawn, RNG decides a lot of the non-craftable equipment you'll be able to pick up, chance might dictate a few of the bosses you'll have available to you depending on the nature of the world you create and progression is tied to killing your way down a list of bosses, some of which contain literal keys to unlock the next state of the wider world. Essentially making the process of 'beating' Terraria a lot more functionally linear than Minecraft, whilst still being flexible to the players' play style. All of this is to say, Terraria isn't really Minecraft at all, they just share a similar aesthetic.

Much as you might find if you look on the wiki, I think assessing modern Terraria requires breaking down the play experience into the early game, mid game and endgame; comparing and contrasting the complications and vindications of each stage of the game. Every update is littered with improvements up and down that chain, so it's important to note that this review is made specifically in the wake of the 'Labour of Love' update for Terraria, because the game as it exists in the future could feel entirely different from where it's at today. The full game may have been out for a few years now, but until the Re-Logic team are dragged away from this code by force they'll never stop tweaking and adding things here and there to pimp up the weaker elements of the game.

The early game of Terraria is, go figure, the most simple if you've ever played a crafting game before. You are set off in a basic world where you mine and harvest materials and come to understand how the world around you works and functions. A lot of this is pretty intuitive and natural to the fresh player; you'll mine-up ore and the deeper it is the better quality of what you'll make with it. The evil Corruption biome (or Crimson, depending on the world generation) will flay you alive the first time you go there, indicating how conquering that place is probably the starter goal from the word 'go'. And the really observant might even start to identify the ways in which Terraria, even in the early game, resembles a looter-experience. There's flavour text indicating quality, DPS tally equipment and set bonuses. The early problems do start to flare up, however.

I think crafting is a big early game issue, from the fact that unlike it's peers, Terraria will only tell you what you can craft when you have the right amount materials and are standing in front of the correct workbench; essentially requiring you to know exactly what it is you're going to craft before you even approach it in the first place. Now nothing in the early game necessitates blind recipe-guessing, but this does introduce the idea that if you want to get to that upper echelon of enjoying the game it's almost necessary to have the wikia open to check what you're doing. I think that any game which necessitates out-of-game interaction sacrifices accessibility for unrestrained complexity and hiding secrets and Easter eggs is not the same as refusing to even hint at how key pieces of early game furniture are made such as freaking beds! (Without a bed handy, Blood Moon nights get real boring, real fast!)

By the mid game stages of Terraria, the player has come to understand the loop of unlocking new tiers of play and crafting better gear for those better damage numbers. This will also be around about the time that enough equipment starts arriving for the player to understand the different classes they can adopt. Warrior, Ranger, Summoner and Mage are all unofficial class-types that players can adopt, all of which possess accessories and tools that synergise to make playing towards a specific class advantageous. Warriors get in the face of enemies with melee weapons, Rangers use bows and guns, mages use weapons that drain on their magic meter and summoners call forth minions who keep enemies at bay for them. Playing as a mix of all is very possible and actually how I beat Terraria for my first time, but for those that really want to engage in set bonuses and all those stat improvements, picking a specific field to specialise in is the way to go. And entirely unofficial.

It really is surprising how little hand-holding Terraria does for the player, partially out of a trust for the faculties of their audience and partially, I believe, out of an insulation within their community that numbs the developers to the struggles of new adopters trying to understand the game they're approaching. The wikia is the only place that you can find strategy guides telling you how to approach certain styles of play when even games like Rimworld and Kenshi offer bare basics so that fresh players can get started on the road to becoming skilled. It's very possible for a non-internet browsing Terraria player to hit a wall with no idea what to do and just become stuck there. The achievement system provides a bare basic idea of where the next milestone is, but a lot of the time it's not really enough to go on. ('Beat the Lunatic Cultist!' That's great- Where is he?)

Those that push forward onto the endgame of Terraria have probably heavily integrated themselves in the tools of the community in order to do so and have developed a fairly rudimentary understanding of the systems at hand. The players of Terraria are a great resource for understanding the bigger strategies of the game and the tools necessary for fighting her greatest challenges. Unfortunately, this also becomes the point at which a lot of the early game content becomes utterly trivialised and thus inconsequential, which is both a weakness of this style of game and a ego boost for those that blast by it. There's going to be a point in looter games where the content they engage in is funnelled specifically to whatever it is that can still offer a challenge; and when that style of world is an open one, rather than a specifically guided linear world like Borderlands, it becomes easy to miss pockets of content when they're relevant and thus miss out on the fun of enjoying that challenge. I only managed to grind the pirate invasion after crafting The Zenith. As any who knows what that means can imagine, that event was short lived.

On the otherhand, there's not really a common-sense solution to that problem. Games that utilise a 'challenge scaling' feature tend to run into a trivialisation of the power wall, which makes players feel like everything they've earned is useless because they never get better at handling their enemies. At least with ignoring that scaling, Terraria can throw increadibly brutal content that provides that rush of adrenaline once the player pushes through. After the endgame, Terraria does sort of lack reasons to keep playing beyond building cool creations, and since that was never really the gameplay focus to start with I'd imagine most players will find little reason to keep playing beyond beating the final boss. Minecraft doesn't have that problem because the gameplay cycle it focuses on doesn't really have that end-point, whilst Terraria inherently does. Of course, whether you see that as a problem, or a boon because this game actually as a goal you can reach and feel accomplished for beating; is a matter of personal preference.

Personally I think the loot-based progression system of any game is only as good as quality of the loot itself. How that loot feels to play around with and how diverse it all is. The Labour of Love update specifically brought big improvements here, as every weapon aside from the bare basic beginning tools features some unique visual flair or complexity to use that makes them worth collecting and having fun with. With how many pieces of loot there are in the game, that level on intricacy is something of an incredible achievement for the team that I find really quite engaging. Those that do stick around with the game long enough for a replay can really find their early game experience transformed into something that feels completely different to the last time purely because of some RNG chest loot which reshapes the gameplay. Having focused the game so long on the loot, it's no incredible surprise that it's currently this good to play about with, but you can take that as evidence this team succeeds where they strive to.

The second half of cool loot is, of course, cool Bosses to use that loot against, and Terraria does have some pretty creative and imaginative bosses that get somewhat wild in the second half of the game. I was somewhat disappointed with the absolute endgame bosses, however, in that they were really just an 'avoid the projectile and shoot back' affair. I thought the endgame might be a point at which to introduce mechanics beyond out-damaging the enemy or playing cut and mouse with projectiles. But if you're not looking for mechanics-based brawls than Terraria scales itself about as well as you can hope for up to it's endgame. It's just... I don't usually sat this but the final boss felt a little lacklustre after everything that came before. Perhaps that was a lack of any really transformative second stages apart from the split-off body parts. Maybe that's Dark Souls style bosses spoiling me, but Plantera and even the early pre-hardmode bosses all had gameplay-shifting second forms. The final boss felt strangely static by comparison. 

Visually Terraria rocks an iconic pixel art visual style that is immediately indicative towards it's own brand. At times the size of the pixels prohibits artistic creativity and there's a hard-to-mistake blocky functionality to the world that limits it's natural beauty, even with the dynamically shifting block sprites. But Terraria is not an ugly or even bad looking game at any point; and actually some of the endgame specific visualisations are cool enough to make me wish we'd seen more of the game with those sorts of motifs present. I'm not quite as big a fan of the music tracks the game has. They're all, again, iconic and inseparable from Terraria, but some of the peppier and happier tracks have a direct link towards my nausea gland. I know it's my own fault for overplaying the game back in the day, but nowadays I literally can't play the game with my headphones on or a I get lightheaded and can't play the game for the next twelve hours. Again, not the composer's fault; but a personal gripe of mine. (The cave and boss tracks are fine for me; I'm not sure why.)

The overall challenge of Terraria is a point worth considering in a review given how much more geared this game is towards boss fights and gear collection. I've already addressed the problem with scaling and gear collecting, but when your facing the right challenge at the right time there is a level of challenge that might scare off the casual player. You need solid reaction times and finger skills in order to avoid attacks and survive long enough to retort, and even if you want to go the Dark Souls route and grind yourself above the challenge before you get there; you'll hit brick wall limits because a lot of the time world progression is tied to boss progression. Plus, in mediumcore (the default difficulty where you drop your gear when you die) It's quite feasible to softlock yourself out of progression by losing the wrong piece of gear. Maybe you lock yourself out of dungeon that can only be broken into with a Pickaxe that is only dropped by the boss inside that dungeon. (I had to learn a wall glitch trick to worm my way out of that snafu.) There's a tough face worn by Terraria, and it can be somewhat brutal if you're not prepared for what you're facing. But it's never eye-wateringly painful. (At least, not until you start getting into Master difficulty; but at that point you're really getting exactly what you signed up for.)  

In conclusion, Terraria is a deep and versatile looter-style builder game with some problems when it comes to approachability and accessibility. There's a definite barrier to entry for people who don't have the time to invest in a title like this, or the resources available to really enjoy this game without resorting to banging their head against the wall. I think that in it's current state Terraria offers a great spread of content and even some replayability potential, all of which demonstrates the professional sheen of a game refined feverishly over the past eleven years. It's a difficult one to really score, and I'll have a very subjective score when I consider all the factor's I've discussed to reach this point, but I'm decently happy giving Terraria a B Grade in my arbitrary rating board. Along with a slapped on recommendation for lovers of looter games and power creep gameplay loops, with a much more moderated recommendation for those who are fans of building, and even then only if you're a pixel artist. I did really enjoy my time with Terraria and would certainly be eager for any follow up game the team creates if, indeed, they ever actually make a follow-up.

Stadia VS Terraria

 You feel an evil presence watching you...

Yes, look, I know I bring up Stadia too much. I know this has stretched beyond the point of a joke and dipped into sheer obsession. I know you're finger is currently hovering over the button to call the FBI to report my stalker-like devotion to this topic. I know all this- but gosh darn it you just can't stop me when a story goes this batty. I have to talk about it, else I'll just bottle it up inside and go back to the bad old place I used to be in. I don't wanna go there! You understand; this isn't about Stadia or you or me, it's about- well, actually back up: it is about me. This is me. Selfish content. Sue me. Actually don't sue me, sue Stadia, might as well scoop up some of those millions before they run out of it all and get shuttered within the impending few months. (They may have limped into 2021 against my wildest estimations, but I'll eat my hat if they make it to Christmas)

So what's the news today? Well it starts with another 'Have you heard of', only this time it's a much more palatable ask because we're talking about Terraria! Do you remember Terraria? It's the 2D crafting game that an absolute layman who dedicates next to no effort actually playing the game might mistake as being a 2D Minecraft. (So as you can imagine: that's IGN's review) No, Terraria's similarities with Minecraft start and end with the ability to deform the earth and create a house, exactly the same as a hundred different crafting survival games out there. Terraria is much more about the many enemies and bosses that you have to uncover and slay in order to make your world a little safer and keep it from the encroaching corruption. It's actually quite a bit more combat focused than Minecraft, with entire systems built in that take into account tiered weapons and armours, unique items and creative boss-killing traps. In that sense, you might say that Terraria has more in common with your typical Metroidvania than Minecraft, but even that's selling is short. All in all, Terraria is unique, thus a boon for any system to have on their storefront. (Or at least it would be had the team put any effort whatsoever into the modern console UI. Right now the console port pretty much unplayable. Get the PC version.)

Thus I'm hardly surprised that it was on the docket for Stadia conversion at some point within the near future. I mean, that just fits, no? I assume it was part of the write up for "Games we need to get as soon as possible in order to be taken seriously" Alongside Minecraft, Call of Duty and the latest Rockstar release. They- they don't have Call of Duty? Wait seriously? I mean at least they have- WHAT DO YOU MEAN THEY DON'T HAVE MINECRAFT! Good god, who is in charge of the Stadia project and how did they secure that a position after such a recent lobotomy? Irregardless, there's a certain type of game that most consider standard on any platform that they game from, and providing that is pretty much the bare minimum that any system needs to achieve. (Thank you for joining the standard as closely as feasibly possible this generation, Nintendo. We missed you for a bit there.)

But, what if I told you that was no longer the case. As in, Terraria suddenly has been pulled from the Stadia lineup just a few hairs before it's debut? Well, you might be wondering "What in the heck could have gone wrong?" I mean it can't be a hardware issue, that's unimaginable considering Stadia have been flaunting their 'magically invisible hardware' forever now. And no, this actually comes back to a much more human issue of bad customer service. Although, I will admit that given some of the comments/accusations that have been made regarding this case, I have a feeling there's another, more business oriented, side to this story that's not come out yet. Until then, however, I'm choosing to believe that this is all about the customer service.

You see, the co creator of Terraria, a Mr Spinks, seems to have had a rather rough go of things recently. He found himself being unceremoniously locked out of his google account recently, and the lackadaisical ethics of the Google support team had hin trapped in a dance that Mr Spinks so generously called "The runaround." Now, you'll likely be somewhat aware of how much of an issue being locked out of a Google account actually is. Google likes to fashion themselves as the front page of the Internet, (sorry Reddit) and their functionality crosses over to pretty much every single daily service one could go through. Want to post videos on Youtube to advertise your game? Google Account required. Want to communicate with your business email of 10 years? Google Account required. Want to manage a deal with Stadia to port your success-story indie game to their platform? It would seem, according to Mr Spinks, Google Account required.

We don't know the details about what went down, just that Spinks is adamant he broke absolutely no TOS rules. (Which, I suppose, we'll just have to believe unless anyone can prove otherwise.) The fallout has cost him the majority of his Google drive, too, so there might be some actual tangible work lost in whatever mix up caused this. And the consequence? Well, in a move that I'm sure some are eager to categorize as 'petty', he's actually gone ahead and cancelled the Stadia version of Terraria. Just like that, another essential game which Stadia has been missing out on, gone in a puff of smoke. I'd almost feel bad for the Stadia team- actually, you know what I do. That may be a little odd coming from me, but they had literally nothing to do with any of this Google account nonsense, so to punish them in order to punish their parent company sort of feels like missing the forest for the trees. Does Mr Spinks really think Google proper is going to bat an eye about losing this game for their service which is already on the way out? I'd imagine they don't even know what a 'Terraria' is.

Which is why I think there's another angle to this story which is yet to come out. The exact phrase which the aggrieved mister used was that it was a "Liability" to work with Google, now I don't know about you but that sounds like it carries a lot more baggage than being knocked about by a little bit of bad service. Additionally, I'd imagine there'd have to be an actual business-related issue for turning down free Google money like that. I mean, those guys are willing to throw around money like it's nothing, so if you're too proud to take advantage of that I can only assume it's because it'll cost you elsewhere. Then again, perhaps Mr Spinks just really holds umbrage with Google's monopolistic practises and was pressured into making a stand by this whole affair, it's hard to say from an outsider's viewpoint.

What this does betray, however, is something of a negative relationship between developers and Stadia, whether that be the rule or the exception over here. We've seen how the Epic Store has managed to secure itself as a viable storefront in recent years, despite being unequivocally worse put together than it's competitors, all through offering the developers a better deal. Heck, Kingdom Hearts just came out as an Epic Exclusive! (Then again, Square does appear to have some sort of personal gripe with Steam for some reason, so that might be more down to that.) As much as it pains you to hear it again, it pains me to say it again, but once more this is evidence of Stadia failing yet another milestone towards becoming the go-to platforms for games; Developer trust. And public coverage of this little disaster is only going to worsen that perception of trust going forward. Man, it really do suck to work for Google, huh. Aside from the paychecks. I'd imagine the paychecks make up for the widespread hatred just that little bit.

One life mode

You only get one shot, do not miss your chance to blow.

One of the most appealing features of gaming in general, at least in my eyes, is the distinct lack of consequence that the whole thing incurs. Whereas performing an action, or not doing so, in the real world has very tangible consequences, (most of which are usually negative in my experience) in video games you are free from that struggle by way of metaphysical detachment. Even the most dedicated 'your choices matter' video game doesn't have any bearing on your actual life because at the end of the day you can just scrap everything and go back to the beginning, a boon that we don't share as boring mortals.

There are those games, however, that do not abide by the general wistful rules of gaming and seek to impart the cold permanence of mortality upon our one receptacle of relief. (Gee, thanks guys.) These are the sorts of games that I find myself coming back to time and time again, as they come to tear you up about what could have been. Or, they make death a lot more meaningful by requiring players to restart everything should they die. (I thought we transcend those kinds of games ever since 'The Legend of Zelda' and saving.) Today I want to look at the appeal of these types of games and why it is a gimmick that I don't see dying out anytime soon. (See what I did there? It was unintentional too!)

One of the most famous examples of the 'one life' genre of games would be the 2010 browser based pixel game known as 'One Chance'. Chances are that if you spent anytime consuming Internet culture around this time then you'll have heard of this little indie gem, partially due to the fact that it is readily available for anyone to play on flash hosting sites like 'Newgrounds'. But just to recap, 'One Chance' tells the story of a man who is a month away from the end of the world and has one chance to stop it. It is a highly narrative driven experience showing the breakdown of this individuals life as the world start to crumble and giving the player's a little ounce of choice along the way. Once players reach their conclusion, however, they'll have cottoned onto the fact that the title is double-edged. The protagonist has one chance to save the world and the player only has one chance to play the game. Whatever ending you finish with is yours forever and there is no 'do-overs' or second chances ever. (Unless you clear your cookie history, but let's not break the illusion of permanence.)

Minecraft and Terraria are two games built around an incredibly simple premise, you are alive in a hostile world and must do your best to survive and thrive. Minecraft very much takes this in a direction whereupon players will end up going on great builds and carving themselves out a home and Terraria more has player's amassing weaponry to battle various deadly and terrifying foes. What both these games have going for them is the fact that, despite being very long-form experiences, they both have a 'hardcore' tag when creating the world. What this little option means is that the second your avatar kicks the bucket, their world is immediately deleted and all your progress is wiped. Obviously, this has the effect of making player's a lot more careful in how they play the game, however, in an endless adventure like Minecraft and Terraria, it's more an act of delaying the inevitable. Some fans like the extra layer of tension that this piles on top of the gameplay, but few would suggest this sort of experience for the casual player.

Speaking of 'Hardcore modes', how about we take a look at the franchise that is often credited with coining the phrase, the Diablo games and it's ilk. These endless dungeon crawlers are built around the cyclical gameplay loop of fighting hoards of ever more powerful monsters and amassing ever more powerful loot sets and abilities. This perpetual grind is often intersected by droplets of story and big, climatic boss battles, but the main draw of this genre comes from the balance between the predictable acting in unpredictable ways. In this manner it isn't too often to find oneself being slayed by enemies that you know well because you failed to pay attention when you needed to, and if you turn on the 'hardcore mode' that practically all of these games have, then that will be the end of your journey. For a series as 'dark' as Diablo and it's imitators, this concept actually fits in rather nicely to their world of heresy, violence and death. I suppose then, the only question is whether or not the player is brave enough to put themselves through that trial.

Bethesda have dedicated a portion of their efforts to reviving some of the long dead games of yesteryear, most prominently the 'Wolfenstein' and 'Doom' Games. Both of their titles earned stellar new revivals in the modern age and reintroduced current FPS fans to games back when they were still largely hard as nails. With that it mind, it shouldn't be surprising that both games feature their very own  'one life mode' in 'Mein Leben' and 'Ultra Nightmare' respectively. Both of these difficulties are like the crème de la crème of hardcore challenges, as they encourage people to slog through a heavily narrative-driven story and set pieces both without dying once or even quitting out. That's right, there's not even any checkpoints in either gamemode to exploit, that's real hardcore!

The concept of one life difficulties largely stems from the pursuit of accolades from the gaming habit. It's a covenant with one's self to prove that you posses both the tenacity and skill to overcome everything in a modern game. Some look upon this as bringing back some of the habits and traditions of old-school gaming (before Saving was invented) but honestly, with the lengths to which gaming and game design has evolved since the traditional consoles, these challenges are often much more brutal. But by overcoming odds that are honestly insurmountable for a great many, like playing through a 20 hour FPS campaign without dying or taking breaks, one can bask in the glory of having achieved something honestly commendable. (Or something easily ridiculed. Depends on the eyes of the beholder, I guess.)

As a life long glutton you'd think that a concept like this would be right up my street, but honestly 'hardcore modes' might just be that bit too much even for me. I really do cherish the ability to go back and fix a mistake, depriving me of that opportunity does have the knock on effect of sucking a lot of fun out of games as they just become tense stressful nightmares. Even modes which overly restrict gaming, like Fallout 4's survival mode, grates at my fragile sensibilities. That being said, I do understand the appeal, as much as any outsider can, and hope more big name games accommodate for those sorts of playstyles in the future.